Showing posts with label Turner Classic Movie. Show all posts
Showing posts with label Turner Classic Movie. Show all posts

Wednesday, September 5, 2012

HIGH SOCIETY

                                            JACK'S BACK, and this time, it's personal!

DATE AND STATUS:  Thursday, September 6th, 2012,  I'm fat and hideous, but at least I smell nice.

Goodness, we had a helluva thunderstorm last night,  IT WAS WILD!   My beloved dog, Angel saddled up beside me, and I could feel her shaking.  I really hate it when my baby's upset.  But, today is looking better, although,  there certainly is a chill in the air. 

It's not enough to know that all our summer holidays are over, and we return to work, (well, some of us,) but, the weather has to dramatically change as well!   JEEZ, sometimes I think it's a plot!

And the Turner Classic Movie (TCM) channel!  They keep running nothing but excellent films, how the heck can I possibly tune into "Days of our Lives?"

Yes, I'm fat and hideous, it IS a side effect from my asthma medication, but I still shouldn't delude myself that I'm the stud I once was.  I'm not Brad Pitt, then again, I'm not Quasimodo either!  (He really was ugly,  HE REALLY WAS, don't you think?)

But, I do smell nice.  I used to think that I smelled like celery, but, fortunately for me that malodorous condition disappeared, and I can stop worrying that someone' s going to put me in a salad!

Today, I'm supposed to have the stitches in my knee out.  I fear it will hurt, let me amend that, I know it will hurt!  The doctors always lie and say it won't hurt, but it does! 

Relative of mine, Tallulah Taylor, got her driver's license today, yes, after six years of practising, she finally gets it! 

My good friend, Pearl Ring, who's been married four times, told me she's ready to go down the aisle, yet again.  ARE YOU KIDDING?  And she had the nerve to ask me, why not?  ME, of all people!  The girl has to have had a slight cerebral disturbance, (it's in her family you know.)

Bran muffins don't always set you free.

Stephen King has probably written another book.

Mary Poppins is a bitch!  Who the hell is she to spit spot? How come she keeps fooling everyone?

If I didn't have bad luck, I'd have no luck at all.

 LIFE!  It keeps going on, and we all have to face certain unpleasantness's, but if we face those painful matters with humour, courage, and conviction, knowing perfectly well that "this too shall pass," then we will have survived the worst of it, and we can laugh at adversity's face.  SO THERE!

Big announcement time, HUGE, really:  In the month of November, on Monday the fifth to Sunday the 11th, I will be having my very own salute to Humphrey Bogart.  YUP, I have already picked out the seven of his films that I'll be first-time viewing, and then of course, reviewing them. 

Why don't you share in this experience with me?  It will be interesting, fun, and thought provoking because the movies I have chosen are:

"The African Queen"
"To Have and Have not"
"Key Largo"
"The Treasure of the Sierra Madre"
"The Maltese Falcon"
"The Big Sleep"
"Dark Passage"

HUMPHREY!   HUMPHREY!    HUMPHREY!
WATCH A GREAT MOVIE STARRING BOAGIE
READ ABOUT IT FROM JACK E
ENJOY A CUP OF TEA,
BUT DON'T FORGET TO TUNE INTO THE MOVIE!

I know it's corny-I had to!

On with today's review of "High Society!" which is yet, another remake of a classic movie,"The Philadelphia Story."

"High Society," (hoity toity, indeed,) directed by Charles Walters, and starring Bing Crosby, Grace Kelly, and Frank Sinatra is a musical comedy movie.  The film was produced by Metro-Goldwyn-Mayer, (MGM), famous for all those Judy Garland/Mickey Rooney musicals,  and shot in Technicolour, with music and lyrics by Cole Porter.   Pretty impressive, eh! Yeah, I thought so too.

Based on the film "The Philadelphia Story"  the movie is about a successful popular jazz musician named C.K. Dexter Haven (Bing Crosby replacing Cary Grant's role) who tries to win back the affections of his ex-wife, Tracy Lord (Grace Kelly substituting for Katharine Hepburn, imagine?) who is preparing to marry another man, (conflict, we have to have conflict.)

The musician has huge competition from a National Enquirer-like reporter, Mike Connor (Frank Sinatra now standing in for James Stewart, who won an academy award in this role,) who also falls in love with his ex-wife, and the woman's priggish fiancee, George Kittresh, played by John Lund, whom I've never heard of before. 

As an aside, this was Grace Kelly's last film appearance before she became Princess, consort of Monaco.

Anyway, the film, just like "The Opposite Sex" was/is a musical remake.  The location of the story was changed from Philadelphia to Newport, Rhode Island.

INTELLECTUALLY speaking, there was never much sense or sanity to Philip Barry's "The Philadelphia Story," either as play or film.

Its story of a society woman whose psyche was so confused that she could think herself thoroughly devoted to a priggish fiancee, a magazine writer yet, and her ex-husband, all within the span of one day was a sheer piece of comedy contrivance.

The attractiveness on stage and screen was due almost wholly to the sparkle of Katharine Hepburn as its erratic heroine.  Since its brittle material has been cast into a musical film, there is little chance of disguising its bright but faux qualities.

 "High Society," its new pretentious name set to music, is as flimsy as a gossip-columnist's word, especially when it is recounting the weird behavior of the socially elite. With pretty and lady-like Grace Kelly flouncing lightly through its tomboyish Hepburn role, it misses the snap and the crackle that its UN-musical predecessor had.

For sure, there are moments of amusement in this handsome film,.  One bit is when Frank Sinatra as the magazine writer sent to do a story on the mores of society plies the haughty heroine with wine and gets her drunk, loosening her inhibitions. Mr. Sinatra does make hay with this scene.

Some other scenes include Louis Armstrong and his band beating out some catchy tunes that have been borrowed from Cole Porter records, or especially written by him for this show.  In spite of the austere surroundings of a gold-plated Newport chateau, Mr. Armstrong beams as brazenly as ever and lets the hot-licks fall where they may.

Musically, Frank Sinatra and Bing Crosby sing some catchy songs together.  The best is "Well, Did You Evah?", a spoof of the haughty and blase, and Mr. Crosby makes "I Love You, Samantha" (whoever she is) a pleasingly romantic thing.

There do come tedious stretches in this socially mixed-up affair, and they are due to direction, and the miscasting of Grace Kelly in the pivotal role.  The part was obviously written to be acted with a sharp cutting-edge. Miss Kelly makes the trenchant lady no more than a petulant, wistful girl.

 Mr. Crosby seems a curious choice in the role of the young lady's cast-off husband, and who gets her back at the very end.  Humphrey Bogart would have been a better C.K. Dexter Haven, yeah, Boagie, too bad for us we got Bing Crosby.  He strolls around the place like the favourite uncle, having fun with Mr. Armstrong, and his boys, and viewing the feminine mystique with an amiable masculine disdain.

Mr. Crosby, also strokes his pipe like a phallus, and with more affection than he strokes Miss Kelly's porcelain arms.  I know,  I couldn't believe it either, and in a musical, YET!

Adding to the general hubbub of pre-wedding day madness in the Newport set are: John Lund as the stuffy fiance, Celeste Holm as a smart photographer, is usually better in films than she is here.  Louis Calhern as a wicked old uncle, seems much too believable,  if you know what I mean, and Margalo Gillmore as the mother of the bride.   

Miss Lydia Reed as an impish younger sister is kept pretty closely confined.  She appears to have the waspish nature that Miss Kelly could use to good advantage.  But then, who amongst us, besides that Poppins woman is perfect! 


                                               UPCOMING MOVIES FOR REVIEW:

"Elmer Gantry." Both Burt Lancaster and Shirley Jones received academy award nominations for their work here. I want to see if they deserved them, you know how the Academy can be.

"Adam Had Four Sons." This movie stars Ingrid Bergman and Susan Hayward, two of my favourites, and that is reason enough for me to watch this movie. But I bet I end up liking this movie for all sorts of reasons, and not just because of Miss Bergman and Miss Hayward.

"Blow Dry." For no other reason that when I saw the title of this movie in the television guide, it intrigued me.

"Thief." This film stars James Caan and is reported to be one of Mr. Caan's personal favourites. Well, now it is time for us to decide if we want this movie to make our favourites list.

"An American in Paris." I love musicals, and this one gets great reviews from practically everyone, we'll see what I think very soon.

"The Maltese Falcon."  I've avoided seeing Humphrey Bogart and Peter Lorre in this story of murder and intrigue for far too long, (I'm supposed to be a film buff!)  The time for me to see it has been changed to November for my salute to Mr. Humphrey Bogart.

"Zorba The Greek." This film stars Anthony Quinn as an amoral Greek peasant who teaches a British student the meaning of life.  I want to see if the movie can teach me anything.

FILMS COMING SOON:  Exodus, The Sand Pebbles, Giant, Big Night, The slut at four o'clock, can't wait to see all of them!!!!

THE OPPOSITE SEX

                                       JACK'S BACK, and this time it's personal!

DATE AND STATUS: Wednesday, September 5th, 2012, and I'm frustrated, (no Lola, not that kind!)

I spent most of the day yesterday, trying to include a trailer of the film, "The Band Wagon," into my post.  I followed Blog Spot's instructions to a T, but still failed in my endeavours.

 I was able to put the trailer into a separate file/new post,  but I wanted the movie trailer in my post, and not a separate post.  Two days ago, I somehow managed to put a trailer of the movie "Strangers on a Train" into my post.   l'll be darned if I know how I did it.  Consequently, I'm frustrated!

I'm feeling rather fatigued as I haven't been sleeping well, you'll pardon me if I jump right into my write of "The Opposite Sex."

Although Clare Boothe's "The Women" was filmed in 1939, it has aged gracefully, to judge by "The Opposite Sex," the remake that is the subject of today's post, it is as classic a story, but not nearly as good.

Although some aspects of the original investigation of the well-endowed Park Avenue-Broadway echelon have changed, "The Opposite Sex" basically is still the story of "the jaded, frenetic women" whose meat is gossip and whose wine is divorce talk, it's just interpreted this time, in song.

It is also still the soigne tale of Kay Hilliard (June Allyson) who is a former nightclub singer, married ten years, and mother of a young daughter, who learns her Broadway producer hubby Steve Hilliard (Leslie Nielsen) had an affair with one of the chorus girls, Crystal Allen (Joan Collins.)

Through the beauty parlor grapevine, a vile manicurist, played by Alice Pearce, (television show Bewitches Gladys Kravitz,) drops the gossip of Steven's philandering to customer Sylvia Fowler (Dolores Gray), who can't wait for Kay to find out so she lets it get back to Kay through the socialite set that they both belong to, which includes, Edith Potter (Joan Blondell), who appears to be the only one happily married; seems she's always pregnant, and confirmed bachelourette Amanda Penrose (Ann Sheridan) who is Kay's only true friend.

From Steve's perspective, his unfaithfulness was a one night stand mistake, (don't caught, cheating husbands always say that,) but Crystal is a man-eater who wants what she doesn't have.  Kay plays him right into the chorus girl's hands when, after learning of an incident involving their eight year old daughter Debbie (Sandy Descher), pride causes her to leave her husband for (42 days in) Reno and a divorce, which I believe is a common mistake.

 Barbara Jo Allen (the name sounds like she is a character on Petticoat Junction?) plays Dolly DeHaven, the society columnist that breaks the story and splashes it across the newspapers.

On the train to Reno, Kay meets another first-time would-be divorcee Gloria Dell (Ann Miller,) who neither sings nor dances, which is a big flaw of the film, and serial chew ‘em up and spit ‘em out Countess D’Brion (Agnes Moorehead).

Lucy (Charlotte Greenwood) runs the ranch where the ladies stay in Nevada; Buck Winston (Jeff Richards) is the womanizing ranch hand that preys on these newly unattached women.

Soon, Sylvia shows up at the ranch and finds that, coincidentally, her husband is leaving her for Gloria; a prolonged cat fight ensues.  Once Kay's divorce is final, Amanda arrives to give her an update on Steve, and some sage advice, but it takes a while for her to heed it.

All the ladies return to New York, Sylvia with Buck on the hook; she plans to fund his singing aspirations.  The two of them become social friends with Steve and the new Mrs. Hilliard, Crystal.  Meanwhile, Kay's former agent Mike Pearl (Sam Levene), finds her work as a singer once again; she'd been retired 10 years while married.

When lovelorn Kay learns from her daughter that her husband's second marriage is less than ideal, that Crystal is fooling around behind his back (once a slut, always a slut)  with Buck, she takes action, utilizing Dolly to her advantage, so that the predictable reconciliation (and happy ending) can take place before the film's end.

The venomous mixture of deadly females vs. deadlier females, sharp dialogue and songs is a surface inspection of a segment of Manhattan society rather than the deep dissection it once was.   One might not want to live in this plush "jungle" but the principals, who keep the cat fights going briskly, make it an interesting place to visit.

I thought "The Opposite Sex" was a pale remake of George Cukor's witty 1939 "The Women," it's glossier and the satire is softer; it also adds Cinema scope, music and men, but to no avail.

The songs are forgettable, with only "Young Man With A Horn" (sung by June Allyson with Harry James) being bearable.  David Miller does a workmanlike job directing the film.  The script by Fay and Michael Kanin drains all the vinegar out of Luce's play, just keeping it bitchy and witless.

Most of Miss Boothe's comedy still drips vitriol, and the fangs and claws of its decorative vixens are almost as terrifying as they were two decades ago.  

Speaking of the ladies, it might be added that the lush wardrobes, enhanced by excellent colour photography, provided for this covey of dames, is enough to drive distaff viewers to distraction.  

Joan Collins' performance as the two-timing, bombshell bitch who snatches Miss Allyson's husband is eye-filling but hardly inspired.  Dolores Gray, as the blond gossip monger who loses her mate to Ann Miller is capable, but wasted; Ann Sheridan, as a sympathetic, unattached writer who knows all about the opposite sex is inspired, surprisingly; Joan Blondell, in an all too-brief role as the gentle matron who is making a career of motherhood can almost be called a cameo, and Agnes Moorehead, also wasted, as a brassy, much-married countess, lends spice to the palaver, and punch to the battles.

The film is of value only because it descended into camp, and there's probably an audience for that sort of thing.  But I found it unfortunate, it took a marvelous comedy and made it into a film that can be enjoyed mostly for its colorful costumes and catty acting from its cast.

What was wonderfully caustic dialogue in the first adaptation devolves into something a bit more tame, and very disappointing, it could have been good.

                                             UPCOMING MOVIES FOR REVIEW:

"Elmer Gantry." Both Burt Lancaster and Shirley Jones received academy award nominations for their work here. I want to see if they deserved them, you know how the Academy can be.

"Adam Had Four Sons." This movie stars Ingrid Bergman and Susan Hayward, two of my favourites, and that is reason enough for me to watch this movie. But I bet I end up liking this movie for all sorts of reasons, and not just because of Miss Bergman and Miss Hayward.

"Blow Dry." For no other reason that when I saw the title of this movie in the television guide, it intrigued me.

"Thief." This film stars James Caan and is reported to be one of Mr. Caan's personal favourites. Well, now it is time for us to decide if we want this movie to make our favourites list.

"An American in Paris." I love musicals, and this one gets great reviews from practically everyone, we'll see what I think very soon.

"The Maltese Falcon."  I've avoided seeing Humphrey Bogart and Peter Lorre in this story of murder and intrigue for far too long, (I'm supposed to be a film buff!)  The time is now for me to see it, so I shall.

FILMS COMING SOON:  Exodus, The Sand Pebbles, Giant, Big Night, can't wait to see all of them!!!!



Monday, September 3, 2012

STRANGERS ON A TRAIN

                                                    JACK'S BACK and this time it's personal!

DATE AND STATUS: Monday, September 3rd, 2012 and I'm happy, I'M NOT HAPPY, I'm happy

Of course I'm happy, I have everything I need, and then some, now, I'm not CRAZY HAPPY like I  would be if I won a lottery, but there it is.

My nephew, Ian, and his beautiful wife Melissa, recently sent me a picture of their seven day old son, Bennett,  gosh, newborns are beautiful, and they're so small, funny how fast they grow up.

I remember that alot of my friends who have had children say they could always see little changes in their child every day. WOW!, it must be amazing to watch that growth.

I never had any children of my own, and it is the one area of my life that does sort of bother me. I feel, having a child of my own would make me immortal, even when I die, at least a part of me would go on.

I don't think it's a crime to want to be remembered, after all, the pharaohs built the pyramids for that reason.  But, having no children of my own doesn't mean that I won't be remembered.  Far from it.

 I am very blessed with many nieces and nephews, who I know will remember me.  For all of them, I try to be the very best uncle that I can be and they tell me I am.

Sorry for being wistful, maybe it's because it's Labour Day, the end of summer.  I'll try to change my mood by just getting into today's stunning suspense film, "Strangers on a Train."

I hope my write up can do this movie justice, and I shall try very hard not to be effusive, as I want this write up to propel you into watching this Alfred Hitchcock suspense/thriller/horror movie.

Right off, I have to say that I think it is pure genius how Mr. Hitchcock manages to link an ingenious plot with insinuating creepiness, and creepy is putting it mildly, mighty mild!!

You see there's this tennis star,  Guy Haines (Farley Granger) who wants to divorce his unfaithful wife, (who wouldn't)  Miriam (Laura Elliott,) so he can marry the elegant and beautiful Anne Morton (Ruth Roman.)


Okay, nothing new about this story so far, let's continue.  While on a train to meet Miriam, Guy meets Bruno Anthony (Robert Walker), a rather forward stranger who has recognized Guy from gossip items in the newspapers that detailed his marital problems. 

During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect murder(s), he calls it a "Criss-cross": Bruno will kill Miriam, and in exchange, Guy will kill Bruno's father.  "They can get away with it,"  Bruno claims because they are both strangers to each other.  In other words they cannot be connected with each other, and there is no identifiable motive for the crimes.

The "criss-cross" murder dealt in "Strangers on a Train" indeed would have worked perfectly, except for the detail that only one of the strangers agrees to it.  To me, the two characters Guy and Bruno can be viewed as doppelgangers.

Bruno's manner is pushy and insinuating, with homoerotic undertones.  Guy, rightly so, is offended by the references to his private life, but inexplicably doesn't break off the conversation, which ends on an ambiguous note, with Bruno trying to get Guy to agree to the plan, and Guy trying to jolly him along, and get rid of him.   I ask you, who among us hasn't done this?, Haven't you been polite to some crazy person to avoid a conflict with them,  and then when you can, you rid yourselves of this person as soon as you can.

Guy hurriedly leaves the compartment, but leaves Bruno thinking he has agreed to the deal.  When Guy accidentally leaves his cigarette lighter behind, a gift from Anne to Guy, Bruno pockets it.  Bruno then heads to Guy's hometown and does murder Guy's wife, and then demands that Guy keep his half of the bargain.

Guy's problems start when his alibi falls through, and then his problems increase exponentially when Bruno makes repeated appearances into Guy's life.  Bruno seeks to remind Guy that he is now obliged to kill his father, according to the bargain he thinks they struck on the train.   As a plot, this has a neatness that Hitchcock must have found irresistible, especially since Guy has a motive to murder his wife.

Okay, so now you have the gist of the story, a plot made of ingenuity, and amorality.  The perfect combination for such a suspenseful film.

It is the sense of two flawed characters, one evil, one weak, with an unstated sexual tension, that makes the movie intriguing, and halfway plausible, it also helps to explain how Bruno could come so close to carrying out his plan.

 To all appearances, Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed,  he is a man of indeterminate sexual nature.   Guy is an ordinary man caught in an extraordinary web of terror and lunacy and Granger is excellent as the harassed young man innocently involved in murder.  Stewart Granger is soft, elusive, and convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him.

Robert Walker's role has extreme colour, and he projects it deftly, and is flirtatious and seductive, sitting too close during their first meeting, and then reclining at full length across from Guy in the private compartment. The meeting on the train, which was probably planned by Bruno, plays more like a pickup than a chance encounter.

 Roman's role as a pleasant, understanding girl is quite a change for her, and she makes it warmly effective.


 The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double.   In the film, Hitchcock draws gay characters so sharp yet subtle, perhaps too subtle.

Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behaviour is the driving force behind the true macabre rather than supernatural elements.  Even classic endeavors like "Fargo" and "A Simple Plan" seem directly fueled by this concept.

 "Strangers on a Train." is fast, exciting, and woven with wicked style, this is a great story and you will not be sorry for experiencing it.  It was first class all the way, and I'm glad I took the trip.




UPCOMING MOVIES FOR REVIEW:

"Elmer Gantry."   Both Burt Lancaster and Shirley Jones received academy award nominations for their work here. I want to see if they deserved them, you know how the Academy can be.

"Adam Had Four Sons." This movie stars Ingrid Bergman and Susan Hayward, two of my favourites, and that is reason enough for me to watch this movie. But I bet I end up liking this movie for all sorts of reasons, and not just because of Miss Bergman and Miss Hayward.

"Blow Dry." For no other reason that when I saw the title of this movie in the television guide, it intrigued me.

"The Band Wagon." This film showcases the talents of Fred Astaire and Cyd Charisse, and they both have been described as being brilliant in this movie, after I watch it on TCM, I'll decide.

"Thief." This film stars James Caan and is reported to be one of Mr. Caan's personal favourites. Well, now it is time for us to decide if we want this movie to make our favourites list.

"An American in Paris." I love musicals, and this one gets great reviews from practically everyone, we'll see what I think very soon.

"The Opposite Sex."  I saw the preview of this film and it looked an awful lot like the move, "The Women" a film that I cannot rave enough about.  This version looks like it is musicalized, I can't wait to see it!

FILMS COMING SOON: Exodus, The Sand Pebbles, The Maltese Falcon! Giant! I really can't wait to see these movies, yeah folks, I'm excited!

Sunday, November 14, 2010

Shhhh...Sunday

Date:                                          Sunday, November 14th, 2010
Word of the Day:                       emend(ih\MEND);to free from faults or errors; correct
Weight:                                      206 pounds
Goal:                                          lose 100 pounds in one year duration
Pounds to lose:                         74 pounds
Waist Size:                                45 inches
Rowing Duration:                     92 minutes, 12 seconds

Well,  did you notice?  I managed to wipe out another pound.   I kept the same waist size, but I did eliminate a pound, hey, I just might meet that goal!
Turner Classic Movies's Current LogoImage via Wikipedia



I slept in folks, and since I'm going to be on the road all night, this was probably a great idea!

This is it kids, its just a matter of hours now and I'll be in the car speeding (not really) towards sunny Gainesville, Florida, I can't believe how much I've missed those kids!  And I'm told that Cruella's Child arrived without too much fuss, you didn't think I would go almost two months without rowing did you?  I must confess, I'm looking forward to meeting Cruella's Child, I think I'll call her C.C,

Forty days (40) until Christmas people, and soon the big day will be here....what are you waiting for?, come on, be smart and get out there and start your shopping.   I reguire nothing too elaborate nor expensive, however, I must confess that I do have a hankering for Dolce & Gabana!


Did you read that Francis Ford Coppola is/has receiving/received the Irving Thalberg Honorary Oscar?  Isn't that wonderful!  I still think this award should be handed out at the reguar Academy Awards, clearly, they didn't ask my opinion, and I think they should!

Last night was an especially great night for viewing movies on the Turner Classic Movie (TCM) channel.  I, actually started watching the movies in the late afternoon, beginning with "Around the World in Eighty Days," followed by "The Best Year of Our Lives" which is truly a great, great film, and then I watched another great, great, film, "Mrs. Miniver," but dammit, "Mrs. Miniver" should have got that prize, and if you don't know what I'm talking about, shame on you, because if you are any kind of a film buff at all, "Mrs. Miniver" should be required viewing, and why on earth don't one of you nominate me to succeed Robert Osborne, (host of TCM.)   I'm colourful, knowledgeable and I bathe!  Sorry, Bob, I hope you don't think I'm pushing you out of a job, but there does come a time for all of us, and you sir, are no exception.

I still have quite alot to do people, so once again, I'm cutting this post short, please remember that THERE WILL BE NO POST TOMORROW (MONDAY).

All the best!

Topics coming soon:

Art
Politics
Technology